Introduction to Digital Colour Grading with DaVinci Resolve: Class A

Saturday, June 17, 2017 - 10:00am - 6:00pm
Enrolment is limited to: 

With the boom of digital cinematography over the past decade, digital colour grading has become an integral part of the post-production pipeline. Software like DaVinci Resolve has leveraged the power of more efficient computer systems with decades of colour timing experience. This introductory course covers everything from initial conform, raw colour grading, to HSL keying. We will do an in depth look at Blackmagic Cinema Camera 2.5K RAW and RED 5K RAW workflows, which will enable you to utilize the full extent of raw information available from each camera, and take your visuals to the next level with DaVinci Resolve.

Please Note: Class A and Class B are the same classes offered on different dates. This course is recommended as a companion to the Colour Theory, Intermediate Digital Colour Grading with DaVinci Resolve, Blackmagic Cinema Camera, RED Epic Camera, Digital Workflows HD and RAW workshops. Each participant works at an individual Resolve Lite station. Students must be familiar with the Mac interface.



Ian Passy is a colourist and online editor from Toronto, Ontario. He is a graduate of the University of Toronto with a major in cinema studies and minors in visual art and art history. He is currently an online editor for Deluxe Entertainment Services Group. He has also graded and finished shows produced by Sinking Ship Entertainment, Marble Media and Cineflix Media.