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Introduction to Digital Colour Grading with DaVinci Resolve: Class A
With the boom of digital cinematography over the past decade, digital colour grading has become an integral part of the post-production pipeline. Software like DaVinci Resolve has leveraged the power of more efficient computer systems with decades of colour timing experience. This introductory course covers everything from initial conform, raw colour grading, to HSL keying. We will do an in depth look at Blackmagic Cinema Camera 2.5K RAW and RED 5K RAW workflows, which will enable you to utilize the full extent of raw information available from each camera, and take your visuals to the next level with DaVinci Resolve.
Please Note: Class A and Class B are the same classes offered on different dates. This course is recommended as a companion to the Colour Theory, Intermediate Digital Colour Grading with DaVinci Resolve, Blackmagic Cinema Camera, RED Epic Camera, Digital Workflows HD and RAW and Digital Imaging (DIT) workshops. Each participant works at an individual Resolve Lite station. Students must be familiar with the Mac interface.
Arthur Ditner is an Online Editor at Sinking Ship Entertainment. His job is to conform, colour, and create broadcast deliverables on internationally distributed children’s programming. He has over 10 years of experience in post-production including the roles of Workflow Producer at Bling Digital, Video Editor at Optix Digital Pictures, VTR Operator at CBC, and Master Control Operator at Stornoway Communications.